HANNAH SCOTT

'The thought behind this body of work stems from the writings of the twentieth century philosopher Gilles Deleuze. How folds and drapery, particularly in baroque art, can be a metaphor for the physical and non-physical world and the continuum between.
The work developed in the aftermath of covid, during a global metal health crisis. More people suffering from anxiety and depression than ever before. These wafer-thin, fragile, porcelain folds all have a knot in them. And are isolated, cut off, by clear acrylic boxes.'
Education
2022 Graduate Diploma in Fine Art, Chelsea College of Arts.(Distinction)
2022 Introduction to print Making, Heatherley School of Fine Art
2011 FRCA, Royal College of Anaethetists.
2005 MBBCh, University of Wales College of Medicine
2003 BSc (International Health), University College London,
Selected shows
2023 Heatherley Summer Print Show, Lots Road, London
2022 Simply This, The Lungley Gallery, 53 great Portland Street, London
2022 Slate Sponge Witness, Final Year Show, Chelsea College of Art, London
2022 ‘I’m In It’, Safehouse 1&2, 139 Copeland Road, London
2022 ‘Bog [art]’,The Morgue, Chelsea College of Art, London
2022 ‘Nexus’, Triangle Gallery, London
2021 ‘Solstice’, Group Show , Open Studio, Chelsea College of Art, London